{"id":1657,"date":"2022-05-30T08:48:06","date_gmt":"2022-05-30T06:48:06","guid":{"rendered":"https:\/\/www.marcpetrusa.fr\/?page_id=1657"},"modified":"2022-05-30T10:57:31","modified_gmt":"2022-05-30T08:57:31","slug":"images-en-scene","status":"publish","type":"page","link":"https:\/\/www.marcpetrusa.fr\/?page_id=1657","title":{"rendered":"Images en sc\u00e8ne"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong><em>Images en sc\u00e8ne<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Paris, 1993<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Exposition organis\u00e9e au <strong><em>Palais de Tokyo<\/em><\/strong> par l&rsquo;association <strong><em>Art 3000<\/em><\/strong> et Anne-Marie Cornu en juin 1993.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;installation r\u00e9alis\u00e9e pour cette exposition d\u00e9clinait plusieurs approches de l&rsquo;image projet\u00e9e. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Comment passer de la peinture au cin\u00e9ma ? <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un travail d&rsquo;\u00e9clairage particulier visait d&rsquo;abord \u00e0 faire prendre une <em>image peinte<\/em> pour une <em>image cin\u00e9matographique<\/em>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La partie droite de la peinture reproduite ci-dessous \u00e9tait \u00e9clair\u00e9e par un projecteur fixe, en lumi\u00e8re blanche, de fa\u00e7on \u00e0 donner l&rsquo;impression d&rsquo;une projection floue. On pouvait ainsi prendre pour une image projet\u00e9e ce qui n&rsquo;\u00e9tait en r\u00e9alit\u00e9 qu&rsquo;une peinture. La partie gauche \u00e9tait \u00e9clair\u00e9e par un autre projecteur dont la lumi\u00e8re \u00e9tait r\u00e9guli\u00e8rement hach\u00e9e. Il en r\u00e9sultait l&rsquo;impression d\u2019un vieux film muet aux images saccad\u00e9es. Ici aussi, la mise en lumi\u00e8re transformait une simple peinture en image projet\u00e9e. Le dispositif de projection lumineux, artisanal et bruyant, \u00e9tait plac\u00e9 sur une structure en bois, au centre de la salle, et rajoutait du son \u00e0 cet ensemble. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1992-15-100x200-2.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"531\" height=\"269\" src=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1992-15-100x200-2.jpg\" alt=\"\" class=\"wp-image-1669\" srcset=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1992-15-100x200-2.jpg 531w, https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1992-15-100x200-2-300x152.jpg 300w\" sizes=\"(max-width: 531px) 100vw, 531px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation2.jpg\"><img decoding=\"async\" width=\"540\" height=\"364\" data-id=\"1659\" src=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation2.jpg\" alt=\"\" class=\"wp-image-1659\" srcset=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation2.jpg 540w, https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation2-300x202.jpg 300w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation3.jpg\"><img decoding=\"async\" width=\"538\" height=\"369\" data-id=\"1661\" src=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation3.jpg\" alt=\"\" class=\"wp-image-1661\" srcset=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation3.jpg 538w, https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation3-300x206.jpg 300w\" sizes=\"(max-width: 538px) 100vw, 538px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sur le mur oppos\u00e9, reprenant les m\u00eames dimensions et la m\u00eame partition, une table dress\u00e9e avec nappe blanche sortait litt\u00e9ralement du mur. Redress\u00e9e \u00e0 la verticale, la table devenait tableau et la nappe \u00e9cran. Le montage vid\u00e9o d&rsquo;un d\u00eener, uniquement cadr\u00e9 sur la table et les mains des convives \u00e9tait projet\u00e9 sur la partie gauche. La partie droite, elle, ne comportait qu&rsquo;une seule assiette blanche fix\u00e9e au centre de la nappe. Elle \u00e9tait \u00e9clair\u00e9e d&rsquo;une lumi\u00e8re tremblotante. Celle-ci \u00e9tait produite gr\u00e2ce \u00e0 un bricolage comprenant miroir, verre d&rsquo;eau et ventilateur artisanal. L&rsquo;ensemble proposait donc un jeu d&rsquo;oppositions entre imaginaire et r\u00e9alit\u00e9, socialit\u00e9 et solitude,  image fixe et image mouvante. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation4.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"530\" height=\"370\" data-id=\"1662\" src=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation4.jpg\" alt=\"\" class=\"wp-image-1662\" srcset=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation4.jpg 530w, https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation4-300x209.jpg 300w\" sizes=\"(max-width: 530px) 100vw, 530px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation5.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"356\" data-id=\"1658\" src=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation5.jpg\" alt=\"\" class=\"wp-image-1658\" srcset=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation5.jpg 535w, https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation5-300x200.jpg 300w\" sizes=\"(max-width: 535px) 100vw, 535px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"513\" height=\"415\" data-id=\"1660\" src=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation1.jpg\" alt=\"\" class=\"wp-image-1660\" srcset=\"https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation1.jpg 513w, https:\/\/www.marcpetrusa.fr\/wp-content\/uploads\/2022\/05\/1993-Palais-Tokyo-1993-installation1-300x243.jpg 300w\" sizes=\"(max-width: 513px) 100vw, 513px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La structure centrale abritait aussi un petit diptyque \u00e0 base d&rsquo;images projet\u00e9es. Sur un \u00e9cran r\u00e9alis\u00e9 gr\u00e2ce \u00e0 un livre ouvert (<em>Les Ma\u00eetres et sous-Ma\u00eetres du cadre noir de Saumur<\/em>), un petit projecteur Super 8 projetait en boucle, sur la page de gauche, des enfants tournant sur un vieux man\u00e8ge de chevaux m\u00e9caniques. La page de droite montrait des petites figurines tremblotantes de chevaux projet\u00e9es en ombres chinoises.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Enfin, sur les murs de la salle \u00e9taient coll\u00e9es de nombreuses assiettes blanches, chacune contenant un petit syst\u00e8me \u00e9lectronique g\u00e9n\u00e9rateur de bruits al\u00e9atoires. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Merci \u00e0 <em>Art 3000,<\/em> Anne-Marie Cornu et Catherine Benoit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Images en sc\u00e8ne Paris, 1993 Exposition organis\u00e9e au Palais de Tokyo par l&rsquo;association Art 3000 et Anne-Marie Cornu en juin 1993. L&rsquo;installation r\u00e9alis\u00e9e pour cette exposition d\u00e9clinait plusieurs approches de l&rsquo;image projet\u00e9e. Comment passer de la peinture au cin\u00e9ma ? Un travail d&rsquo;\u00e9clairage particulier visait d&rsquo;abord \u00e0 faire prendre une image peinte pour une image [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","_crdt_document":"","ocean_post_layout":"full-width","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"categories":[],"tags":[],"class_list":["post-1657","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=\/wp\/v2\/pages\/1657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1657"}],"version-history":[{"count":37,"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=\/wp\/v2\/pages\/1657\/revisions"}],"predecessor-version":[{"id":1729,"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=\/wp\/v2\/pages\/1657\/revisions\/1729"}],"wp:attachment":[{"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marcpetrusa.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}